From capturing wedding moments to crafting tools that enhance them, Levi Tijerina’s journey in the world of visual storytelling has come full circle. Set to share his insights at the upcoming Way Up North event in Lisbon this October, Levi has channelled his experience as a destination wedding photographer into creating solutions for fellow creatives.
Enter Gamut, a suite of LUTs designed to elevate the colour grading process for wedding filmmakers. Intrigued by this colour revolution, we caught up with Levi to explore how Gamut is adding new hues to the wedding film palette, making the post-production process both easier and more creative.
Gamut
What’s the learning curve for someone new to using LUTs in their workflow?
Getting started with LUTs is super easy. LUTs are a native component in every video post-production software and you can even use them in Photoshop and Lightroom (although Lightroom is more limited), so it’s really easy to get started.
For photographers thinking of dabbling in film, how can LUTs help them transition smoothly?
If you’re new to getting started in video, LUTs can help you bridge over a bit of your signature look to your film with just a handful of steps. But there are two key tricks I would recommend to people new to video. The first would be to always apply your LUT to an Adjustment Layer (essentially, layer that sits at the very top of your layers that will affect all video clips). This will help make sure your LUT covers your entire film, so the grade is consistent. The second would be toThink of it like this: technical corrects (WB and exposure) happen at a clip level. Color grade happens at a film level, at least when you’re starting out. do color correction for White balance and exposure at the individual clip level. You’ll want to adjust each clip for WB and exposure and this will help ensure the LUT is actually responding the way you want it to inside of its own layer.
Size:101 MB
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